Tuesday, August 22, 2006

first successful cardigan!

In a surprising turn of events, I have actually finished an adult-sized garment! I bought the pattern--the Eyelet Cardi from Chicknits-- sometime last year, but never even attempted it. Then, this summer, Miss L and I went yarn shopping and I bought three skeins of Fleece Artist's Washable Merino in Burgundy, intending to make the Hourglass Sweater from Last Minute Knitted Gifts. However, I soon realized that the yarn's gauge just would not be suitable for that project, so I decided to attempt the Eyelet Cardi. A mere two weeks later, voila--it is done!

The cardigan was great to knit: the pattern instructions are very clear; the knitting is fairly easy but has enough going on that I didn't get bored while knitting; the construction absolutely rocks, because instead of sewing on the sleeves, you reserve the live stitches at the top and then knit them on to the body. This means that the only seaming you have to do is at the armpits. I only had to sew 16 stitches under each arm and sew on a button. As you can probably guess, sewing up is not my strong point, so this pattern was ideal.

The edges did seem to curl, but wet blocking took care of that, and in fact, I was able to get the 3/4 length sleeves (which I did not like) to relax into full-length sleeves (whew). I think this cardigan will be versatile and I plan to wear it a lot in the fall, where it will be a good part of my work wardrobe. The college has an odd heating/cooling system; different classrooms seem to have different climates, as do the offices, so layers are always good.

A word about the colour discrepancy in the pictures below: I realize now, looking at these photos, that the colour is vastly different in the pictures taken inside and the one taken outside. I'd say the picture taken outdoors is a more accurate representation of what the colour looks like, even indoors. The wool is, as its name suggests, more burgundy and less purple.



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Tuesday, August 15, 2006

crack for cuteness addicts

I am now a pile of mush. I have just finished wasting an inordinate amount of time viewing pictures of cute baby animals on Cute Overload. What is wrong with me? No, don't answer that.
Seriously though, after a hard day's work, there is nothing like relaxing with a little CO. Not that I NEED to check it out EVERY day. I can stop any time I want. Really.

The best thing is that it was featured in this month's Bitch Magazine Bitchlist as a favourite site to visit.

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Saturday, August 12, 2006

factual errors in movie reviews

I was just reading Roger Ebert's review of Thumbsucker, which I saw last night, and I was surprised to read a sentence which contained a major plot error. (In the interests of fairness, I should warn you--SPOILER ALERT!) In his review, Ebert says that the main character is prescribed Ritalin by his orthodontist, played by Keanu Reeves. Not true! In the movie, the main character is prescribed Ritalin upon the suggestion of his school counsellor.

This reminded me of a more grievous instance of an incorrect movie review: last year I read an article by Susan G. Cole in Herizons magazine which criticized the films Sideways and High Fidelity for promoting the idea that schlubby, dopey men who don't treat women particularly well are rewarded by girlfriends who are too good for them. Cole pointed out that in Sideways, Paul Giamatti's character ends up with an attractive, intelligent waitress played by Virginia Madsen; in High Fidelity, Cole claims that John Cusack's character ends up with a funky folk singer played by Lisa Bonet. Unfortunately for Cole, this simply isn't true; Cusack and Bonet do not end up together in the movie.

Although I could agree with some of the points in the article, in the end I could not take it seriously, simply because it was clear that the author hadn't bothered to check her facts. And really, if you're trying to prove a point about a movie, you can't start making things up to suit your argument.

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Thursday, August 10, 2006

The Agronomist

I watched The Agronomist last night, a documentary about the late Jean Dominique, the man behind Radio Haiti. Haiti's history of CIA-supported dictatorships and brutal suppression of the media is profoundly sad and incredibly frustrating. However, the movie is ultimately uplifting. Ideally, I would like to be more like Jean Dominique--he was willing to risk himself for his principles, and in doing so, he made a real difference to the people of Haiti.

The other wonderful thing about this movie is Dominique's wife, Michele Montas. She herself could be the subject of a documentary, and a lot of the movie is devoted to the role she also played in keeping Radio Haiti running. Her speech at the end of the movie, made over the airwaves, will put a lump in the throat of all but the most hard-hearted of viewers.

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